在当下全球文化语境中,“宏大叙事”很大程度上已成为陈旧、压制或霸权的指称,进而在众多人文知识分子的笔下及小说家、戏剧家、电影导演等艺术家的创作中,不断遭受贬斥和驱逐。但是,如果我们收拢目光,就会发现在今日中国的电视剧创作中,仍有一批作品表现出强烈的“宏大叙事” In the current context of global culture, the “grand narrative” has to a large extent become the allegation of obsolescence, suppression or hegemony, and then continues to be uncovered by numerous humanistic intellectuals and artists such as novelists, dramatists and film directors Suffer deportation and expulsion. However, if we gather our attention, we will find that in today’s drama production in China, there are still a number of works that show a strong “grand narrative”