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20世纪的中国文坛,意识流成为一种重要的创作方法。它受西方意识流文学的影响而产生,但在中国的发展却是融合中有变异,是东西方文化交融发展的体现。本文认为刘以鬯的《酒徒》具有西方意识流文学的特质,但对其继承中又具有东方特色,而这些特点代表了中国意识流文学与众不同之处。中国意识流文学的发展必将走上一条独具东方色彩的道路。
In the 20th century Chinese literary world, the stream of consciousness has become an important creative method. It is produced by the influence of western consciousness and flow literature. However, the development in China is characterized by variations in the integration and the embodiment of the blending of Eastern and Western cultures. This paper argues that Liu Yijun’s “drunkard” possesses the characteristics of western consciousness of stream literature, but it also possesses oriental characteristics in his succession, and these characteristics represent the distinctions between Chinese consciousness and stream literature. The development of China’s ideological and literary theory is bound to embark on a unique oriental road.