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直截了当地说吧,我非常喜欢话剧《绝对信号》的剧本和演出。不管人们对它的毁誉如何,它对我国话剧的创作和演出,都将产生一定的影响。这倒不是说《绝对信号》已经十全十美了,不是的。从内容上说,黑子的那套“犯罪有理”论太振振有词了,相比之下,老车长批评黑子的词儿还显得软,不足以服黑子,也不足以服观众;从艺术处理上说,剧中人物的现实生活和心理描绘(姑且这么分开说)之间的衔接,也不都那么自然和谐。剧本和演出的毛病当然不止这些。我想说的是,整个剧作和演出的创新精神太可爱了,作者高行健、刘会远和导演林兆华有雄心而且有本事发出一个“信号”:只要研究、适应观众不断变化着的审美需要,即使在“影”、
To put it bluntly, I really like the script and performance of the drama Absolute Sign. No matter how badly people ruin it, it will have an impact on the creation and performance of our country’s drama. This does not mean that the “absolute signal” is perfect, not. In terms of content, the sunspots’ set of “criminal justifications” is full of vigor and vitality. In contrast, the old commander criticized the words of the sunspots for being soft enough to serve sunspots and not enough to serve the audience. From an artistic point of view, Said that the link between real life and psychological portrayals of the characters in the play (let’s say so separately) is not all that natural and harmonious. Of course, there is more to the problems with scripts and performances. What I want to say is that the creative spirit of the entire play and performance is so adorable. The authors Gao Xingjian, Liu Huiyuan and director Lin Zhaohua are ambitious and capable of sending out a “signal” that they can only study and adapt to the ever-changing aesthetic needs of the audience, “shadow”,