沈从文先生是20世纪一位特立独行的湖湘文化名人,研究者往往习惯于从社会学、民俗学、美学的角度探讨沈从文,尤其对他的文学创作进行深入细致的分析,却忽视沈从文的文人书家身份。其实中国书法与文学是具有共生性的,文与字在中国书法绵延数千年的发展史上相依相恋,形成了中国特有的书法文化情怀,也成为了中国文人修身养性、疗养心灵的重要方式。此外,文学和书法极易受到不同地域文化的迁移影响,是地域文化的重要组成部分,因此应从地域文化、文学、书法3个维度,来探究特定地域条件下的作家书法文化现象。 Shen Congwen was a maverick Huxiang cultural figure in the 20th century. Researchers often used to discuss Shen Congwen from the perspectives of sociology, folklore and aesthetics, especially his in-depth and meticulous analysis of his literary creation while ignoring Shen Congwen’s Literary book writer identity. In fact, Chinese calligraphy and literature are symbiotic. The writing and the writing are dependent on each other for thousands of years in the history of Chinese calligraphy. The unique Chinese calligraphic and cultural feelings have formed. They have also become an important way for Chinese literati to cultivate their own health and revitalize their souls. In addition, literature and calligraphy are highly influenced by the migration of different regional cultures and are an important part of the regional culture. Therefore, we should explore the writer’s calligraphy and cultural phenomenon in specific geographical conditions from the three dimensions of regional culture, literature and calligraphy.