《堪欣山社竹添孙》是潘天寿先生1960年创作的指墨画精品,此图之妙处在于基本上采用传统中国画的图式,却以高超的指墨技巧勾画而成,通篇营造出一种令人向往的田园氛围,堪称逸品,令人爱不释手。此画体现了潘天寿的“常变之道”。潘天寿云:“凡事有常必有变;常,承也;变,革也。承易而革难。然常从非常来,变从有常起;非一朝一夕偶然得之。”又云:“予作毛笔画外,问作指画,何哉?为求指笔间,运用技法之不同,笔情指趣之相异互为参证耳。运笔,常也;运指,变也。常中求变以悟常,变中求常以悟变, ”Khen Yin Shan Thammasa“ is Mr. Pansy Tien Shok created in 1960 refers to the ink painting quality, the beauty of this map is basically the traditional Chinese painting schema, but with superb ink-based skills outlined, created throughout A desirable pastoral atmosphere, called Eslite, it is put it down. This painting embodies Pan Tianshou ”changeable way “. Pan Tianshou Yun: ”Everywhere there is often there must be change; often, Cheng also; change, leather is also easy and leather. But often from the very beginning, change from time to time; Cloud: "To brush writing, asked for finger painting, He Zai? To seek means between the pen, the use of different techniques, Also often change to enlightenment, change in the common sense to change,