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假如疯女人伯莎,即罗切斯特的妻子没死,简.爱会再次离开还是留下来扮演罗切斯特的情妇?从文本中透漏出的简.爱既反抗又妥协的矛盾倾向来看,两种结局都可能产生。本文通过对文本和作者自身思想的分析,指出了女主人公的心理变化过程。
If Beethoven, the madwoman, or Rochester’s wife, dies, Jane will leave again or remain as Rochester’s mistress? Jane’s love, both transgression and compromise, reveals both ends May produce. Through the analysis of the text and the author’s own thoughts, this paper points out the psychological changes of the heroines.