吴兴华在努力建构现代格律诗之余,也创造了不少艺术价值极高的自由诗。被时代放逐的吴兴华取法里尔克,在自由体《明妃诗》中穿越覆盖在昭君形象之上的诗歌史沉积物,从美的承载者与美的创造者的镜像式书写中,诗人重新获得身份认同,并进而在身份认同的意义上完成想象性的自我拯救。 Wu Hing-hua in his efforts to build a modern metrical poetry apart, also created a lot of free art poetry of great value. Wu Hsing-hua, who was exiled by the times, took Falluk and crossed the sediments of poetry covering the image of Zhaojun in the liberal Ming Poetry. From the mirror images of the bearer and the creator of beauty, the poet regained Identity, and then in the sense of identity to complete the imaginative self-salvation.