论文部分内容阅读
《影的告别》作为鲁迅《野草》里的经典文本,结构雅致,内涵丰富。本文主要从三个层面展开重读:一是对鲁迅在文本中精心设置的时间/空间幻境,如何从虚拟时间/感觉时间进入到实际的时空,而在上述时空体中鲁迅展现出思考路向的双重性;二是影自身的丰富性内涵,它的否定思维和拒绝勇气,它的彷徨特征,它的施予/奉献精神都令人瞩目;三是对影的告别对象进行探寻,其中“你”“朋友”包含了个与群的指涉,而“人”其实更是影对之展开启蒙任务的集体对象,当然归根结底说,这都可涵容在鲁迅自我的剖白中,这一切都呈现出此文本丰富的创造力及其繁复性。
As a classic text in Lu Xun’s Weeds, the film’s farewell is elegant in structure and rich in connotation. This article mainly rereads from three aspects: one is how Lu Xun shows the double way of thinking from the time / space illusion elaborated by Lu Xun in the text, from the virtual time / sensation time to the actual time and space The second is the rich connotation of the shadow itself, its negative thinking and refusal to courage, its imitation characteristics, its giving / dedication are impressive; Third, the shadow of the farewell object to explore, where “you ”“ Friend ”contains a group of references, and “ people ”is actually a collective object of Enlightenment mission, of course, ultimately, it can be contained in Lu Xun’s self-confession, All of this shows the richness of this text and its complexity.