我对于唐朝总有一种莫名的向往。唐诗也好,唐代绘画也好,部呈现出一种体式开张的生命活力。翻开一幅唐画,无论是色彩、线条,还是构图、意韵,都会令我陷入一种遥远的沉思。我总认为,一幅成功的作品首先是画家的观察力。生活中的美无处不在,常人熟视无睹,而在画家画出来之后,观者才发出惊叹。对于张萱的《虢国夫人游春图》,我就是这样的体会。《虢国夫人游春图》现藏 I always have a longing for the Tang Dynasty inexplicable. The poetry of Tang Dynasty is also good, the painting of Tang Dynasty is very good too, the ministry presents a kind of vitality that body type opens. Open a Tang painting, whether it is color, lines, or composition, meaning rhyme, will make me fall into a kind of distant contemplation. I always think that a successful work is first and foremost an artist’s observation. The beauty of life is everywhere, ordinary people turn a blind eye to it, but after the painter draws out, the viewer just exclaims. For Zhang Xuan’s “Maduo lady travel spring map”, I was such an experience. “Madame Guo travel map” is hidden