本文从主体性研究的角度出发,梳理海男诗歌从弃世到创世的精神探寻,总结其语言的蜂鸣以及巫术仪式的召集的诗体结构特征,进而指出,海男诗歌中的峡谷系列诗歌,是其主体奔赴向新世界的旅程呈现,甜蜜是其基本的生命感知。而古滇国系列诗歌,是主体沉酣大醉于新世界的歌谣,体现出生命在解放状态下,对自由和爱的蓬勃激情。总体上,海男的诗歌是理想主义和浪漫主义的,缺乏个人对社会人生的担当,有失重之弊。 From the perspective of subjectivity research, this article combs the exploration of the poetic style of Hai Mian’s poetry from the death to the creation, summarizes the buzz of its language and the poetic structure of the convening of the witchcraft ritual, and then points out that the canyon Series of poetry, is the main body went rushing to the journey of the new world, sweet is its basic life perception. The ancient Dian Kingdom series of poetry, is the main song intoxicated drunkard in the new world, reflecting the liberation of life in the state of liberation and love thriving passion. In general, Hai Men’s poetry is idealistic and romantic, lack of personal commitment to social life, there are disadvantages of weightlessness.