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从歌唱习俗、调式结式、声部等方面对侗歌多声部进行历时性考察,追溯、探究侗歌多声部产生、发展的脉络,并提出了分岔、分层说。
From the aspects of singing custom, styling, voices and so on, the author conducts a diachronic review on the multi-vocal part of Dong songs and traced back to explore the origins and development of the multi-vocal part of the Dong songs and puts forward the idea of bifurcation and stratification.