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《啊,满园鲜花凋零》是意大利浪漫主义歌剧作曲家贝利尼所作歌剧《梦游女》中女主人公阿米娜的著名咏叹调,是歌剧中具有着强烈歌唱性格的“点睛”部分,《梦游女》的创作手法对后世也产生了深远的影响,具有极高的欣赏价值。本文提出对贝利尼歌曲咏叹调的再探讨,是建立在前人的基础之上的重新审视的过程,在笔者看来,贝利尼时代的歌唱风格与现代歌唱有着很大区别。特别是我们遇到了一个无法回避的问题,那就是现代音响的传动手段(电子技术)一反面扩大了声乐歌唱艺术的外延,另一方面,也对歌唱的“方法”提出新的审美要求。
“Ah, the garden flowers dying” is the famous aria of actress Amina in the opera “Sleepwalking Girl” made by Bellini, an Italian romantic opera composer. It is the part of the opera with a strong singing personality, The creation of “sleepwalking girl” also has a profound impact on future generations and has a very high appreciation value. This paper puts forward that the reinterpretation of Bellini’s aria is a re-examination based on the predecessors’ foundation. In the author’s opinion, the singing style of Bellini era is quite different from that of modern singing. In particular, we have encountered an unavoidable problem. That is, the transmission of modern audio (electronic technology) has the opposite effect of enlarging the art of vocal singing. On the other hand, it also proposes new aesthetic requirements for the “method” of singing .