有学者认为,自近代以来,传统手工艺经历了持续的物种消亡过程,一旦灭绝,即人技皆亡,或者人在技亡,再无复活的可能。以此认定,传统手工艺的发展应该是连贯的、延续的。然而,一种传统手工技艺的消亡并不同于生物学上的死亡,徽州砖雕省级传承人吴正辉的“复活”实例表明,传统手工艺只待有适宜的环境就可能重新“复活”。 Some scholars believe that, since modern times, traditional handicrafts have undergone a continuous process of extinction of species. Once extinct, they are experiencing death, or they are at a technical death and no chance of resurrection. In this regard, the development of traditional arts and crafts should be consistent and continuous. However, the extinction of a traditional handicraft is not the same as the biological death. The example of “Resurrection” by Wu Zhenghui, the provincial successor of Huizhou brick carving shows that the traditional handicrafts can only be resurrected once they have the proper environment. ".