周俊杰(中国书协学术委员会原副主任,河南省书协顾问):隶书之正宗为汉碑,尽管在此前已有秦简,同时有汉简,此后有多种隶书作品,但与东汉成熟的隶书相较,则高低自见。可以借用康有为一句评价魏碑的话语模式:“汉碑无一不佳者。”是的,从西汉到东汉的数百年间,隶书的成熟一方面使中国文字彻底摆脱了象形,从而进入到一个纯抽象的高级阶段外,在艺术审美上也 Zhou Junjie (former deputy director of Academic Committee of China Shuxian, consultant of Henan Provincial Association of Shuxianshi): The official script for the Han Dynasty tablet, although in the previous Qin Dynasty, Han Jian, there are a variety of official script works, but mature with the Eastern Han Dynasty Lishu compared to the level of self-seen. We can borrow Kang Youwei evaluation of Wei Bei’s discourse model: “Han monument is good. ” Yes, from the Western Han Dynasty to the Eastern Han Dynasty hundreds of years, the maturity of the official script on the one hand the Chinese characters completely out of the pictogram, and thus enter To a purely abstract advanced stage, also in the aesthetic art