凡是搞编剧的无一不知戏剧结构的三种方式。即开放式、锁闭式和人像展览式。而小戏一般只适用前两种方式。笔者创作小淮海戏《花大姑说媒》就是一个开放式的对子戏。是靠前因后果结构而成的。它一开场就让观众知道剧中的花大姑和马老六是两个什么样的人,她们过去是什么样的关系,在她俩身上曾经发生过什么样的故事。花大姑过去是个靠说谎媒骗钱财度日月的角色,如今虽然靠养鸡致了富,走了正道,但由于过去名声不好,至今仍然是孑然一身,未曾“许人”。所以她一上场就自报家门。通过唱词,观众就知道花大姑想嫁人了。 Those who engage in screenwriter all know the theater structure of the three ways. That is open, closed and portraits. The general drama only applies to the first two ways. The author of the creation of small Huaihai play “Flower aunt media” is an open pair of children. Is due to the result of the structure of the result. It opened the audience to let the audience know the flower Queen and Ma Laoli two people, what their past is the relationship between the two had taken place in what kind of story. In the past, the flower nuns used to lie and lie for money and sun and the moon. Although now they depend on raising chickens, they have become richer and have taken the right path. However, due to the bad reputation in the past, they are still solitary and have never been “Xu people.” So she said herself to play on the door. Through the lyrics, the audience knows that flowers aunt wants to marry.