王利发是于是之艺术生涯中最重要的角色。这个角色给他带来了全国性的乃至世界性的声誉。当我们确认《茶馆》是最能体现北京人艺艺术精神的代表之作,在我们的意识里,主演王掌柜的于是之,便和写这出戏的老舍,导这出戏的焦菊隐像“三驾马车”似地幻化成了一个整体。但于是之本人似乎更眷念《骆驼祥子》里的老马。有一次我问老于他自己以为演过的哪个角色最为满意,他说是老马。又有一次我请老于谈老马一角的成功奥秘。他笑笑说:“我把假的演真了”。“真实”是于是之表演艺术的基石。而“真实”离不开生活,或者更直截了当地说,离不开于是之对于生活、对于生活中的人的情感体验。在说到老马的“心象”的孕育时,于是之总要说起早年他住过的那个杂院和杂院里的那位拉洋车的老郝叔。讲得最动情的,是他那篇散文《幼学记事>——“老郝叔又早已作古。他无碑、无墓,所有的辛苦都化为汗水,洒在马路和胡同的土地上,即刻也就化为乌 Wang Li Fa is thus the most important role in the artistic career. This role brought him a national and even global reputation. When we confirmed that “Teahouse” is the most representative of the art spirit of Beijing Art, it is in our consciousness that the actress, Troika “illusion turned into a whole. But so I seem more concerned about the ”horse camel“ in the horse. Once, I asked the Lao man who was most satisfied with what role he himself had played. He said that he is an old horse. Once again, I would like to talk about the success of old horse corner of the mystery. He smiled and said: ”I’m acting on a fake show.“ ”True“ is thus the cornerstone of performing arts. And ”real“ is inseparable from life, or more bluntly, it is inseparable from the emotional experience of life and people in life. When it comes to the breeding of the ”heart elephant“ of the horse, the general must talk about the old uncle Hao who lived in that early summer and the pull-car in the courtyard. Speaking most emotionally, is his essay, ”-" Old Hao uncle has long been ancient. He has no monument, no grave, all the hardships into sweat, sprinkled on the road and the alley of land, Immediately into the Ukraine