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一在文学的范畴下,明了严肃文学与通俗文学的界分,明了彼此已有的以及尚未穷尽的关系,有利于我们在探讨这个话题时确认我们所持有的观念和姿态。关于严肃与通俗的表现形态,通常存有一个设问:严肃是否专业性被强调到极致的,与普罗众生隔着距离的,躲进小楼成一统式的;通俗是否粗陋潦草,既无关宏旨,也不关痛痒,聊以惑众消遣而已。严肃与通俗之说,由来已久,而在世纪之交的九十年代,在社会背景由农业文明向工业文明过渡的转型期,一种说法认为,严肃文学与通俗文学的存在及其对立,是市场经济作用下文学裂变的一种分化和必然。如是,探讨与寻找两者之间内在与外在的调衡就显得甚为必要,尽管各自所显现的品格,展开的层面,面向的受众和承担的使命不一样,但面对的毕竟还是当下的现实人生。矛盾总是在缓和与解决中消失的。严肃与通俗并非水火不容,不过是各有不同的表现形态,那么,它们其实是可以在文学的要义下找到共存状态的。
In the context of literature, clearly defining the boundary between serious literature and popular literature, knowing each other’s existing and not yet exhaustive relationship, is conducive to confirming the concepts and attitudes we hold when discussing this topic. As for the serious and the popular forms of expression, there usually exists a set of questions: whether seriousness is emphasized to the extreme, whether it is unobtrusive or not; It does not matter, chat to confuse public recreational it. Serious and popular, it has a long history. In the transitional period from the agricultural civilization to the industrial civilization in the nineties of the turn of the century, an argument was made that the existence of serious literature and popular literature and its opposition, It is a kind of differentiation and inevitability of the fission of literature under the function of market economy. In this case, it is necessary to explore and seek the internal and external balance between the two. Although the character, the level of development, the audience and the mission assumed by each are different, Real life. Conflicts always disappear in easement and resolution. Serious and popular is not incompatible, but each has a different manifestation, then, they can actually find the coexistence of the state under the literary meaning.