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从1987年的《春梦秋雨》到2007年3月发表在《剧本》月刊的《魂断鱼復山》,剧作家罗曰铣20年的创作历程,既可以看到他不断成熟、不断提高、不断发展变化的轨迹,也可以找到一些他始终孜孜以求、坚持不懈的东西,那就是在追求大朴、大拙的同时,体现的多维性。《远山》写的是一位村长千方百计引进人才最后又煞费苦心赶走人才的故事,《老铳》写的是一位猎人猎狼最终反倒被人所
From 1987’s “Spring Dreams Autumn” to March 2007, “Soul Off Fushan” published in the monthly “Playbook”, the playwright Luo Yue milling 20 years of creative journey, we can see that he continues to mature and continuously improve, Constantly developing and changing the track, you can also find some things he always pursues and persevere. That is, while pursuing great achievements and great promises, we have demonstrated the multidimensional nature. “Mountains” is written by a village chief doing everything possible to introduce talent and finally painstakingly expel talent story, “Lao Xun” is written by a hunter, the final wolf was inverted