明前期台阁文人推崇杜诗,其对杜诗的阐释集中在忠君忧国之愤慨、不为世用之悲苦以及诗歌中的激烈感情等方面,但这与台阁诗学中发为治世之音、感情平淡闲雅等要求冲突。台阁诗人对此矛盾避而不谈,仍以“性情之正”为标签推崇杜诗,究其原因,是限于台阁诗学思想中对性情的约束,不敢直面重视杜诗中的真情。 In the early Ming Dynasty, the Taiwanese literary men advocated Du Shi, and his interpretation of Du Fu focused on the indignation of loyalty to your country, the sadness of not applying for the world, and the fierce feelings in poetry. However, , Feeling flat and elegant and other requirements of conflict. Taiwan Pavilion poet contradictions aside, is still “character of the positive ” as a label respected Du Fu, the reason is limited to Taiwan Pavilion poetic thinking of the constraints on the temperament, can not face the real emphasis Du Fu’s love .