美国的诗歌在20世纪初象海啸和狂飙一样将英语世界的诗歌卷入一个全新的境界。在庞德的理论的刺激下同时诞生了现代主义与后现代主义两条河流,正如我们的黄河长江同时发源于青藏高原,它们经过一段同路后,各自分路扬镳。首先是在40年代美国现代主义诗歌有了像艾略特这样的丰碑式的诗人,而后在六七十年代美国后现代主义在威 American poetry, like tsunamis and hurricanes, brought the poetry of the English-speaking world into a whole new world in the early 20th century. Driven by Pound’s theory, two rivers of modernism and postmodernism were born at the same time. Just as our Yellow River in the Yangtze River simultaneously originated in the Qinghai-Tibet Plateau, after a certain period of their cooperation, they split their own ways. The first is that in the 1940s American modernist poetry had such a monumental poet as Eliot, and then in the sixties and seventies the United States postmodernism in Granville