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在20世纪90年代,探索戏剧作家在新的政治、经济和文化语境中开始了不可避免的分化。创作的分化,是启蒙精神萎缩的表现。但是,精神言说的命运在使人困惑的同时,并没有终结,戏剧的启蒙精神也没有中止。对于具有启蒙精神的戏剧,我们所希望的是这样一种姿态——退守,而不是销声匿迹。
In the 1990s, exploring theatrical writers began an inevitable divide in the new political, economic and cultural contexts. The differentiation of creation is the manifestation of atrophy of the Enlightenment. However, while the fate of spiritual speech is confusing, it has not ended and the enlightenment spirit of the drama has not stopped. What we hope for a theater of enlightenment is the gesture of retreating instead of disappearing.