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小中见大的画面石小品,有让人难以抗拒的魅力,可分为小石头大景象、小石头大气场两类。前者多表现为自然景观,以景观构图的空间感让人心旷神怡,产生无限遐想;后者多表现为人文内涵,以画面蕴含的厚重精神文化张力,给人以心底的撼动。如这枚小石头大景象的长江水墨画面石小品《西藏往西》,水墨味道的黑白灰色画面,通过疏密交错、浓淡过渡的线条变化,在小小的石头上构成一幅气魄宏大的西藏圣山图画。画面分为三段景:下部是一片富有质感的浅灰色,划出一段缓坡地带,作为铺垫,把主景山峰的视觉距离推到远处。画面主景
Small see the big picture Pieces, there are irresistible charm, can be divided into small stone big scene, small stone atmosphere field two categories. The former is mostly characterized by natural landscapes. The spatial sense of landscape composition makes people feel relaxed and happy, resulting in an infinite reverie. The latter is mostly characterized by humanistic connotations, with the spiritual and cultural tensions inherent in the images, which give people a heart-shaking shake. Such as the small stone big picture of the Yangtze River ink screen stone sketch “Tibet to the West,” black and white gray ink painting taste, through the density and intertwined, the transition of shade changes in the small stones constitute a bold style of Tibet Mount Athos drawings. The screen is divided into three sections of the King: the lower part is a rich texture of light gray, draw a gentle slope zone, as a bedding, the visual distance of the main view of the mountain pushed to a distance. The main picture screen