有人说,一个剧本,除了好的故事和人物,情节结构上再安排得合理或有所创新,基本上就能够在舞台上立得住了。通过创作实践来检验,这话是有一定道理的。这也告诉我们,要学好编剧,一定要认识到剧本结构的重要意义。剧本结构的分类应该有多种方法,但我们一般把它分为简单结构和复杂结构两种方法。简单结构是指那些人物少、情节线索比较单一的剧本,如易卜生的《玩偶之家》,王肯的《包公赔情》这样的剧本;复杂结构 Some people say that a script, in addition to good stories and characters, can be rationally or creatively arranged in terms of plot structure, and basically can stand on the stage. To test through the practice of creation, these words have some truth. This also tells us that to learn a good screenwriter, we must recognize the significance of the script structure. Scenario structure classification should have a variety of ways, but we generally divide it into two kinds of simple structure and complex structure. Simple structure refers to those less characters, plot clues are relatively simple script, such as Ibsen’s “Doll House”, Wang Ken “Bao Gongpianqing” such a script; complex structure