汉调歌舞剧《猎猎楚魂》中的‘招魂’音乐十分欢快,这种处理与该团在50年代演出的《屈原》中的‘招魂’那种凄苦、悲切音调,截然相反。同样是表现楚地‘招魂’民俗,为什么艺术手段如此迥异呢?《猎》剧中的‘招魂’,发生在屈原满腔热血‘三通鼓谏君’之后,楚怀王对屈原悖然大怒,免了他的官职,连声咒骂他是‘疯子’,并将他赶出朝廷。屈原因异常激愤而神志恍惚,在当时楚民的眼中,这种情况就是丢失了生魂,因此,便出现了热爱屈原的乡亲们,在他的学生昭汉和对屈原满怀救命之恩的宫中乐女山梅的召唤下为屈大夫招回生魂的剧情。为活人招魂的习俗!我在《楚辞要籍解题》书中见到一段与招魂有关的文字:‘古代招魂的方法,是巫人拿被招者的衣服,放在笼中,使魂魄有所栖止和依附。据范成大《桂海虞衡志》记载:家人远而归者,止于三十里外。家遣巫提竹篮迓;脱归人帖身衣贮之篮,以 The “Reprisal” music in the tune-up dance drama “Hu Hun Chu Soul” is very happy. This treatment is the opposite of the miserable and sad tone of the “Reprisal” in Qu Yuan, which was performed by the regiment in the 1950s. The same is the performance of Chu ’enchantment’ folk, why the artistic means so different? ’Hunting’ play ’encampment’ occurred in Quyuan full of blood ’three links Drunken monarch’, Chuhuai Qu Yuan outrageous outrage , Exempt him from his office and repeatedly cursed him as a ’madman’ and evicted him from the court. Qu Yuan abnormal anger and trance, in the eyes of the Chu people at the time, this situation is the loss of soul, therefore, there appeared love of Qu Yuan villagers, in his student Chao Han and Qu Yuan full of life-saving palace of grace Under the call of the female musician Sammy, she recalled the story of Qu Shen Fu. For the living custom deeds! I in the “Chu diarist solves the problem” in the book to see a paragraph and the spirits-related text: ’Ancient spirits way is to take the witch was recruited clothes, on the cage, so that The soul of habitat and attachment. According to Fan Chengda “Gui Hai Yu Heng Zhi” records: family members go far, only thirty miles away. Home to witch mention bamboo baskets; relegated to the post-man clothing storage basket to