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近年来的当代艺术创造中弥漫着一种汉赋的风气,“铺采文”的同时却是精神的贫乏,或者说呈现出一种在表面繁荣之下的“文学意义的贫困化”倾向。如何理解当代艺术的这种“汉赋化”倾向,以及我们应该有着怎样的文化对策?对于这一问题的回答,正是本文的主旨所在。由此,本文进一步具体探讨了文学之于艺术的一般关系,亦即文学作为一般艺术的深度体验模式及其特殊的艺术表现的问题;并进而提出对于当代艺术学所面临的困境和出路的思考。
In recent years, the creation of contemporary art is filled with the atmosphere of a kind of Hanfu. However, it is a lack of spirituality or a kind of “poverty of literary significance” under the superficial prosperity. How to understand this kind of “Han Fuhua” tendency of contemporary art and what kind of cultural countermeasures should we have? The answer to this question is exactly the essence of this article. Therefore, this article further explores the general relationship between literature and art, that is, the deep experience mode of literature as a general art and its special artistic expression; and then puts forward some reflections on the dilemma and outlet for contemporary art studies .