我是戏曲战线上的一名新兵,在领导、老师、导演们的培育下,学会了一些现代戏和传统戏。但我不过在戏曲艺术道路上刚开始学步,还谈不上对人物形象的创造,只能写一点学习演戏的体会,和同辈人探讨、交流。随着演出实践的增多,我接触到各种不同的人物,逐渐体会到每个人物都不一样,各有自己的特点,演戏首要一条就是要演出活生生的人物,要演出他们的不同。因此,不论古人、今人,先要弄清人物的身份、所处的地位,然后再根据剧情的规定来考虑,这样的人物在此时此地应该是什么样的态度,什么样的感情,什么样的行动,才能运用或创造出这个人所应有的动作。戏曲总是要通过一定的程式来表现人物的性格特点、思想感情的。如我演的《贩马》中的艾千,《跑 I am a recruit on the operatic front and learned a few modern plays and traditional plays under the guidance of leaders, teachers and directors. However, I only started to learn the art of opera and did not talk about the creation of characters. I only wrote a little about learning and acting and discussed and exchanged with my peers. As the performance of the performance increases, I come into contact with all kinds of people and come to realize that each person is different. Each has its own characteristics. The first thing to do is to perform lively people and perform their own differences. Therefore, regardless of the ancients, the present person, we must first understand the identity of the characters, their position, and then according to the plot to consider what kind of attitude, what kind of feelings and what Kind of action, in order to use or create the person should be the action. The opera always wants to express the personality traits, thoughts and emotions through certain programs. As I play “Veterans” Ai Qian, "run