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母题是人类社会过去、现在和未来不断重复出现的精神现象,它是蕴涵于一个故事中最小的、能够持续发挥作用的、人类共同体的集体意识。通过母题研究,我们可窥溶于文心文脉之中的民族之集体文化思想。作为文学研究母题,“异类幻化”由人类原始生命意识而起,由对生命本质思考为终。从原始神话的《大荒经》到明清时期的《红楼梦》,“异类幻化”在经过了一番否定之否定后,终将对生命的思考升华为对生命的悲悯意识。本文从文明源头溯展,向文化深处开掘,追寻“异类幻化”这一文学母题之意义,以求探究异类幻化文学之文化价值,重塑文学理想。
The motif is a mental phenomenon that is repeated again and again in the past, present and future of human society. It is the collective consciousness of the human community, which contains the smallest and sustainable function in a story. Through the study of the motifs, we can glimpse the collective cultural thoughts of the nation in the context of the literary heart. As the literary research motif, “heterogeneous illusion” originates from the consciousness of primitive life of mankind, from the thinking of the nature of life to the end. From the “Great Wilderness” of the original mythology to the “Dream of Red Mansions” in the Ming and Qing Dynasties, after being negated for some time, the heterogeneous illusion eventually sublimated life’s thinking into the sense of sympathy for life. This paper starts from the origin of civilization and explores the meaning of “literary heterogeneity” in the depth of culture in order to explore the cultural value of heterogeneous illusion literature and reshape the ideal of literature.