本文以翻译目的论为理论框架,从词汇、句法和修辞层面分析戏剧《理想丈夫》的翻译,分别选取余光中、张南峰和文心的中译本,旨在补充该作品已有的研究成果,更加全面客观地审视其翻译现象。目的论与三个译本相结合,从一个新的角度丰富了中国王尔德的喜剧研究,也拓展了目的论的应用范围。 This thesis, based on the theory of translational teleology, analyzes the translation of the drama “The Ideal Husband” from the perspective of vocabulary, syntax and rhetoric, and selects the Chinese translations of Yu Guangzhong, Zhang Nanfeng and Wen Xin respectively to supplement the existing research results of the work, Objectively examine the translation phenomenon. Skopostheorie combined with three versions, which enriched the study of comedy in China’s Wilde from a new perspective and expanded the application of Skopostheorie.