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李朴园(1901-1956),又名李文堂,河北曲周人。早年考人直隶第四师范学校(1928年改为河北省第四师范学校),1922年至1924年人北京人艺戏剧专门学校学习,李朴园在此得到了比较全面、系统的西欧戏剧理论和实践教育,培养了他对于戏剧的终身爱好,为他日后的戏剧实践、理论研究打下了坚实的基础。1924年至1927年,李朴园就学于国立北京艺术专门学校。1927年时任校长林风眠因学潮爆发辞去校长职,李朴园遂追随林风眠南下。1928年,林风眠在杭州创建国立艺术院(后改为国立杭州艺术专科学校),李朴园在史论系数授美术史论,并任出版课课长、图书馆馆长,同时主持艺专刊物《亚波罗》、《亚丹娜》的编辑工作,这一时期是他创作和研究的高峰时期,不仅在报刊杂志发表了大量的小说、剧本,以及《艺术之批评》(1936)、《中国艺术家的出路》
Li Puyuan (1901-1956), also known as Li Winton, Hebei song week people. The early examiner Zhili Fourth Normal School (Hebei Province in 1928 changed to the fourth Normal School), 1922 to 1924 Beijing Arts and Drama Academy to learn, Li Puyuan in this has been more comprehensive and systematic Western drama theory and Practice education, cultivating his life-long hobby for the drama, for his future drama practice, theoretical research has laid a solid foundation. From 1924 to 1927, Li Puyuan studied at the National Beijing Art College. Lin Fengmian, the president of 1927, resigned his post as headmaster for his tide of school. Li Puyuan followed Lin Fengmian down south. In 1928, Lin founded the National Academy of Arts in Hangzhou (later renamed the National Hangzhou Arts College). Li Puyuan granted the history of art history in the history theory, and was the chief of the publishing section and curator of the library. “Ballad” and “Yadanne”. This period was the peak period of his creation and research. He not only published a large number of novels and scripts in newspapers and periodicals, but also “Criticism of Art” (1936), “Chinese Artists Way out ”