论文部分内容阅读
随着人类社会文明的高度发展,市场经济产品的同质化和全球化趋势加剧。在经济领域竞争过程中,已不再停留于产品初级使用功能和同化品质层面的竞争,而逐步演化为设计能力体现出来的文化特色和审美情趣高层次方面的尖端竞争。这就促使艺术设计产业中设计对民族文化艺术精神的衍生再发现和民族审美传统符号的追根溯源式再创作尤为迫切。文章将着手于从中庸的思想的内涵出发去,着重的讨论中庸之道和艺术设计的关系,对中国艺术精神与艺术设计教育进行分析和思考。
With the highly development of human civilization, the homogenization and globalization of market economy products have intensified. In the process of competition in the economic field, it no longer stays in the competition of primary use function and assimilation quality of products, but gradually evolves into the top competition in terms of cultural features and aesthetic tastes embodied in design capabilities. This urges the design in the art and design industry to derive the rediscovery of the spirit of national culture and art and the tracing back to originality of the national aesthetic traditional symbol. The article will proceed from the connotation of the golden meanings, focusing on the relationship between the doctrine of the Mean and the art design, and analyze and think about the Chinese art spirit and art design education.