一抗日战争爆发后,戏剧界结成更加广泛的统一战线,南方的、北方的,海派的、京派的戏剧家们团结一致,共御外侮,戏剧队伍空前扩大,更加密切了戏剧与人民群众的联系。正是在这一时期,戏剧在整个文学艺术领域里,成绩尤其显著。原来在上海等地的左翼文化人,大部分到了国统区,尤其集中在重庆。从此,以郭沫若为旗手,以重庆为重要基地的抗日大后方的话剧活动蓬勃展开。据统计,抗战八年间的重庆,多幕剧在城市剧场的公演就有170余出,加上独幕剧则 After the outbreak of the Anti-Japanese War, the theater formed a much broader united front. The operaists of the South, the North, the Shanghai School and the Beijing School united and resisted foreign aggression. As a result, the number of theaters expanded to an even greater extent, contact. It was during this period that drama was particularly remarkable in the field of literature and art. Originally in Shanghai and other places of the left-wing culture, most of the KMT, especially concentrated in Chongqing. Since then, with Guo Moruo as a bearer, with Chongqing as an important base for the post-war drama activities flourishing. According to statistics, Chongqing in the Anti-Japanese War eight years, more drama in the city theater performances there are more than 170, with the one-act drama