没故事、没脚本、没亮点、没高潮,“慢电视”成为了电视史上最无聊又充满“魔性”的节目。以迈克尔·斯诺的电影《波长》为标志,艺术世界开启了对“慢电影”的大讨论,安迪·沃霍尔自然是其中的代表人物。在他的电影作品中,影片由漫长的单一镜头组成,比如《吃》,45分钟里只出现单调的中近景镜头,而全部内容都是一个男人在吃蘑菇。沃霍尔1963年摄制的《沉睡》把“慢电影”推向极致,长达321分钟的电影里,诗人约翰·季诺一直酣睡着,摄影机静止 No story, no script, no highlights, no climax, “Slow TV” has become the most boring and full of television in the history of television “magic” of the show. With Michael Snow’s movie “Wavelength” as the hallmark, the world of art opens the door for a “slow movie,” of which Andy Warhol is naturally a representative. In his films, the film consists of long, single shots, such as “eating,” showing only monotonous mid-and-close shots in 45 minutes, and the entire content of a man eating mushrooms. Warhol’s “sleeping” shot in 1963 to “slow movie” to the extreme, up to 321 minutes in the film, the poet John Zino has been asleep, the camera still