在天津音乐人看来,以功利的眼光来看待音乐,是一种更加危险的倾向。他们认为音乐的“第一个罪人,我们以‘拿着音乐当玩物’而判决了,而第二个罪人,以音乐想得点实际效能的人,也不能饶了的”。因前者,其“一知半解的害处甚于不知”,他们“虽能够感到点音乐的灵魂而不能真正接收它的美”。他们是 To Tianjin musicians, viewing music in a utilitarian manner is a more dangerous tendencies. They think that the first sinner of music, we have been sentenced to ’holding music as a plaything,’ and the second sinner, those who want actual performance with music, can not spare it. ’ Because of the former, they “know more about the harms of infiltration than they do not know.” They “can not really receive its beauty though it can feel the soul of music.” they are