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过去只是断断续续地看到刘荫祥老弟的作品,第一感觉是与众不同,属于夸张大写意类。最近有幸读他的新作,顿时为之一振。那种本于性灵和童心的天真稚气,不同于以往的形变夸张,好象是从梦中幻化出来的童话世界。这种奇幻的表象形态,证明艺术表达感觉、结构世界具有多种多样的形式,完全应该冲破千人一面的模式。 在艺术创造中,领衔的是想象、幻想、形幻、意幻,包括对形的卓然不群的变相,这对视觉和心觉的感化力和冲击力,比起惯常的“一本正经”造型,更能产生奇异的心灵震憾,产生有形的和无形的遐想。刘荫祥的新作,就像是凝固了的一个个童年梦幻,把人导游于梦幻之都,神与梦游。
The past is only intermittent to see Liu Yixiang’s work, the first feeling is different, are exaggerated uppercase meaning. Recently fortunate enough to read his new work, suddenly give it a boost. The kind of innocent childlike innocence and innocence, different from the previous exaggerated distortion, seems to be turned from a dream fairy tale world. This fantastic appearance, which proves the feeling of artistic expression, has a wide variety of forms in the world of structures, and should completely break the pattern of one-man. In the artistic creation, the leading visualization and fantasy, illusion, illusion, including the dispassionate form of disguise, which the visual and psychological impact and impact, compared to the usual “serious” shape, More can produce singular spiritual shock, resulting in tangible and intangible reverie. Liu Yung-hsiang’s new work is like a frozen one childhood fantasy, the people guide the Dream City, God and sleepwalking.