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A.每种艺术体裁都有自己的守护神,在一定的审美形态与创作方法之间存在着一种对应关系,这早已不是什么秘密。批评的法则虽常常对艺术骄子们的天才作出种种让步,但对那些蔑视艺术规律的任性却向来毫不留情。这方面的教训我们从十九世纪的文学主潮中便可以见到。杰出的丹麦批评家勃兰兑斯当年在评价法国浪漫派的艺术成就时就曾指出:“浪漫主义在本质上是太抒情了,产生不出具有持久价值的戏剧作品。
A. Every genre of art has its own patron saint. It is no secret that there is a correspondence between certain aesthetic forms and methods of creation. Although the laws of criticism often make concessions to the genius of the pride of art, they have always been relentless for those who defy the laws of art. We learned from the main trend of literature in the 19th century that this lesson has been learned. The distinguished Danish critic, Brandeis, in his assessment of the artistic achievements of the French romance in the past, once pointed out: "Romanticism is inherently too lyrical, producing no dramatic work of lasting value.