《肮脏的爱情》是埃莱娜·费兰特的第一部小说。女儿迪莉娅在母亲阿玛利亚淹死后返回那不勒斯调查母亲死亡真相。调查过程中迪莉娅逐渐记起封存已久的过去并慢慢理解了母亲,认可自己的女性身份。在这篇文章中,笔者将借助西方艺术史、批评理论和女性主义思想,通过对原著中父亲所作的裸体吉普赛女郎和内衣店橱窗画女性裸体形象的分析,说明在以男性为主的传统意识中女性的视觉表征是在伴有男性凝视和在男性为主的艺术实践中分裂、破坏和重建的过程。 Dirty Love is Elena Ferrante’s first novel. Daughter Delia returned to Naples to investigate the death of her mother after her mother Amalia drowned. Delia gradually recalled the long-standing memory of the past and slowly understand the mother, the recognition of their female identity. In this article, I will use Western art history, critical theory and feminist thinking to analyze the nude images of the naked gypsy girls and lingerie shopwindow paintings made by the original father in the original, showing that in the male-dominated tradition The visual representation of women in consciousness is the process of splitting, destroying and reconstructing with male gaze and male-dominated artistic practice.