从诗文批评方面来看,“复古”可说是明代文学思想的主潮。从明初宋濂、刘基等人倡言“师古”、反对“师心”,到高的《唐诗品汇》和李东阳的《麓堂诗话》的问世,分别从批评实践和理论建设方面标举盛唐风致。接着是代表复古主潮的前后七子的崛起,继而是七子后学胡应麟、许学夷 From the perspective of poetry criticism, “retro” can be said to be the main trend of literary thought in Ming Dynasty. From the beginning of the Ming Dynasty, Song 濂 and Liu Ji et al. Advocated the creation of ancient poems and objections to the “teacher’s heart” and the advent of Gao Tang’s “Poems of Tang Poetry” and “Li Hsueh’s poems” by Li Dongyang respectively from the criticism practice and theoretical construction Sheng Tang style cited. Followed by the representative of the rise of the seven main tide of the retro tide, followed by seven after school Hu Yinglin, Xu Xueyi