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潘玉良(1897-1977)与塔尔西拉·多·阿玛拉(Tarsila do Amaral,1886-1973),一位有“画魂”之称,另一则被誉为“于现代艺术中最完美表现民族主义精神的巴西画家”。在20世纪20年代,微似时空下的两位女性自不同国度前往巴黎,成为了西方现代艺术大潮中的闯入者。面对冲击,她们以自己的态度和观念创作了大量激动人心的作品,这些艺术形态是个体艺术家的思考,更映射了不同地域艺术群体在国际大环境下,对于现代艺术的态度,对于现代艺术的接纳、化解与重塑。
Pan Yu-liang (1897-1977) and Tarsila do Amaral (1886-1973), one of whom is known as “painting soul,” and the other as “modern art The best Brazilian artist in national spirit ”. In the 1920s, two women in space and time traveled to Paris from different countries and became invaders in the tide of Western modern art. In the face of the shock, they created a large number of exciting works with their own attitudes and concepts. These art forms are the thinking of individual artists, and more reflect the attitude of different geographical groups of the arts to the modern art in an international environment. For modern art Admission, dissolution and remodeling.