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虽然,从广义上说,受北魏孝文帝汉化改革的深刻影响,云冈二期与云冈三期佛教造像都是汉式佛教造像,但是,云冈二期与云冈三期佛教造像之汉化实质上是存在着明显差异的。中外专家和研究者已经在云冈石窟的分期问题上取得了一致的观点,根据现知的文献、记录,利用考古标型学、年代学等方法,将云冈石窟艺术形成的三个显著变化的发展阶段分作三期(1),分别称为云冈一期、云冈二期、云冈三期。云冈一期,是指早期,文成、献文帝时期(公元460年—470年);云冈二期,是指中期,孝
Although, broadly speaking, the Buddhist statues of the third phase of Yungang II and Yungang are all Buddhist statues under the profound influence of the Northern Han Dynasty Xiaogao Di Han Dynasty reform, however, the localization of the Buddhist statues of Yungang II and Yungang III In essence, there are obvious differences. Chinese and foreign experts and researchers have already made a consistent view on the staging of Yungang Grottoes. Based on the current literature, records, and the use of archeological typology and chronology, three significant changes have been made in the art of Yungang Grottoes The development stage is divided into three phases (1), which are respectively called Yungang Phase I, Yungang Phase II and Yungang Phase III. Yungang one, refers to the early, Wen Cheng, Xianwen Emperor period (AD 460 - 470); Yungang two, refers to the medium, filial piety