话剧是最富于战斗性和教育作用的戏剧形式。本世纪初,话剧作为一种外来形式,就是适应着当时的旧民主主义革命的斗争需要而传入我国的。三十年代到四十年代,在第二次国内革命战争和抗日战争期间,话剧由于积极为阶级斗争服务、为民族解放战争服务,在某些大中城市里就争取到很大数量的新观众,外来形式也逐步民族化了。解放以来,话剧更得到猛烈的发展,绝大多数省市(自治区)都建立了自己的话剧院团,话剧形式日益为群众所熟悉、爱好,在为社会主义革命和社会主义建设服务的道路上,越来越发挥出巨大的作用。但是,我们看到,话剧一方面虽是全国性的大剧种,艺术上有许多为地方戏曲所不及的有利条件,而另一 Drama is the most dramatic and educational form of theater. At the beginning of this century, as an alien form, drama came into our country in response to the need of the struggle of the old democratic revolution of that time. From the 1930s to the 1940s, during the Second Revolutionary Civil War and the Anti-Japanese War, due to actively serving the class struggle and serving the National Liberation War, the drama won a large number of new audiences in some large and medium-sized cities , Foreign forms have also gradually nationalized. Since the liberation, drama has been more violent development, the vast majority of provinces (autonomous regions) have established their own Theater Corps, the form of drama is increasingly familiar to the masses, like, for the socialist revolution and socialist construction on the road, More and more play a huge role. However, we can see that on the one hand, although drama is a national drama, there are many artistic advantages that are not favorable to local opera,