论文部分内容阅读
中国花鸟画的造型极具东方意蕴,而写意是中国花鸟画重要的造型特征。应物象形法则是写意花鸟画造型的基础。在此过程中,笔墨的符号物化又是以笔墨中的最小单元——“一笔”开始,直至千千万万笔的。所谓书写性并不仅仅是要求绘画用笔要像书法一样讲求点线之美,还要求用笔能够笔笔相生,具备节奏之美。某种意义上来说,笔笔相生又与
The style of Chinese birds and flowers is very oriental, and the freehand brushwork is an important modeling feature of Chinese birds and flowers. The object pictorial law is the basis of freehand flower and bird painting style. In the process, the symbolic materialization of ink and ink begins with the smallest unit in the ink - “one stroke” until it reaches tens of thousands of words. The so-called writing sex does not just require painting pen to calligraphy the same as the beauty of dotted line, but also requires the pen to be able to phase with the pen, with the rhythm of the United States. In a sense, pen and pen are born again and again