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初唐时期的书法品评具有重要的史料价值,最为突出者是《书后品》,它反映了中国古代书家注重表现的生活态度及审美情趣。李嗣真的自然观旨在崇尚自然、解放个性,摆脱技巧的束缚,突出了书法作为艺术的审美特征,强调了书法的主观精神与表现技法的高度统一,即所谓的“自然冥气”。这种思想包含了丰富的美学内涵,既回归了书法的抒情本旨,又强化了创作的自然流畅。
Early calligraphy evaluation of calligraphy has an important historical value, the most prominent is the “book after the article,” which reflects the ancient Chinese calligraphers pay attention to the performance of life attitude and aesthetic taste. Li Si-zhen’s view of nature aims at advocating nature, liberating one’s personality and getting rid of the shackles of skill. It emphasizes the aesthetic characteristics of calligraphy as art, emphasizing the high degree of unity between the subjective spirit and expression technique of calligraphy, the so-called This idea contains a wealth of aesthetic connotations, both return to the calligraphic lyrical purposes, but also enhance the natural flow of creativity.