新文学自发生起,就携带着来自西方的文学观念体系,作为自身合法性的证明,它们同时对新文学的发展也起着规范和引导的作用。这些观念体系,进入到大学教育体制中之后,以“文学概论”和“文学批评”课程的面目出现,便成为某种具有普遍性和规范性的知识。然而,如论者所指出的,由于 Since its inception, the new literature carries the system of literary ideas from the West as a proof of its own legitimacy, and at the same time it also plays a normative and guiding role in the development of new literature. After entering into the system of university education, these systems of ideas emerged in the face of the course of “Introduction to Literature” and “Literary Criticism,” and they have become some kind of universal and normative knowledge. However, as the author points out, due