中国人画油画只有一百多年。是伴随着西方的文化逐步传入中国。而中国画家真正比较全面、系统地研究油画本体语言不过是近二三十年,特别是最近十多年的时间。而且,我们想要达到对西方油画本体语言的全面了解,依然需要一个渐进的过程。所以,在油画这个外来品的本体语言还没有深入、全面的了解之前,把握和创造出真正具有民族个性、富有东方精神的中国油画艺术,尚需努力。更何况在我们中国,曾经具有鲜明民族特色的传统文化经过文化大革命等政治运动因素的摧残,已经造成文化断代。改革开放以后,经济全球化大潮的影响,强势文化的扩张,快餐文化的传销,腐朽文化的侵蚀,几近断代的民族文化形态和独立品格受到挤压,民族文化有淡化倾向。因此,把握和创造出真正具有民族性、东方精神的中国油画艺术任重而道远。 中国油画走民族之路,首先必须解决对油画本体语言的掌握问题。油画传入中国近百年,几乎占据了中国画坛的半壁江山,成为 Chinese painting only a hundred years. Is accompanied by the gradual introduction of Western culture into China. Chinese painters, on the other hand, have really comprehensively and systematically studied the oil ontology language only in the last two or three decades, especially in the recent ten years or so. Moreover, we still need a gradual process if we want to have a comprehensive understanding of the languages ​​of the Western painting itself. Therefore, it is still necessary to work hard to grasp and create the Chinese oil painting art that truly possesses national character and is rich in oriental spirit before the in-body language of the foreign body of oil painting is deeply and comprehensively understood. What’s more, in our country, the traditional culture with distinctive national characteristics has been destroyed by political activities such as the Cultural Revolution. After the reform and opening up, the impact of the tide of economic globalization, the expansion of strong culture, the pyramid selling of fast-food culture and the erosion of decadent culture have exacerbated the ethnic and cultural forms and independent character of the past dynasties and have tended to dilute the national culture. Therefore, it is still a long way to grasp and create a truly nationalistic and oriental Chinese oil painting. Chinese oil painting take the national road, we must first solve the mastery of the language of painting ontology. In the past hundred years, oil paintings have taken up almost half of China’s painting circles and become