伯莎·梅森作为夏洛蒂·勃朗特的自传体小说《简·爱》中男主角罗切斯特的原配,往往被人们所忽视,人们只是把她看作推动剧情起波澜的配角,或只当是一个疯女人,一个阻碍女主角得到幸福的第三者。王尔德的《莎乐美》是公认的唯美主义名剧。读者往往只是从唯美主义视角来评论剧中女主人公莎乐美的形象,常常把她看作病态美与追求肉欲的象征。本文从女性主义的视角出发,分析伯莎和莎乐美——这两个原本毫无关系的 Bertha Mason, as Charlotte Bronte autobiographical novel “Jane Eyre,” the hero of Rochester’s first wife, often overlooked by people, just look at her as a supporting role in promoting the story waves, or only when Is a crazy woman, a third woman who hinder the heroine to be happy. Oscar Wilde’s “Salome” is a well-known aesthetics. Readers often comment on the image of Salome, the heroine in the play, from the perspective of aestheticism and often regard her as a symbol of sick beauty and the pursuit of sensuality. This article analyzes Bertha and Salome from a feminist perspective - the two originally unrelated