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持永只仁是新中国美术电影事业的元勋。他不仅创作了新中国第一部木偶片《皇帝梦》和第一部动画片《瓮中捉鳖》,还悉心培育美术电影人才,为中国美术电影之后的发展奠定了基础。回到日本之后他依然关注中国美术电影的发展,积极投身于中日动画艺术的交流事业,提高了中国动画片在日本的认知度。
Hold forever only benevolence is the new Chinese art movie career of the hoon. He not only created New China’s first puppet film “The Emperor’s Dream” and the first cartoon “Urn to catch turtle”, but also carefully cultivate fine arts talent, for the development of Chinese art film laid the foundation. After returning to Japan, he still paid close attention to the development of Chinese art films and actively engaged in the exchange of animation art between China and Japan, raising awareness of Chinese animation in Japan.