现在,不少电影已吃喝成风,简直有了“瘾”。青年人相聚,或河边草坪,或山巅树下,面包,罐头、桔子水,又弹又唱,美美地饱食一顿;老年人邂逅,则相邀家中,老伴炒几个菜,斟上小杯酒谈上一阵;至于做交易拉关系更少不了酒楼饭馆一顿好吃,甚至家庭纠纷、意外不幸,也似乎相约在吃喝到一半时发生。于是觥筹交错中重复着雷同的语言和故事。当然并非电影不能有吃喝镜头,问题是这些镜头对渲染环境气氛,揭示人物内心,展开故事情节有何必然的内在联系?遗憾的是许多这样的镜头没有注意其内涵的开掘,缺少自己独特的发现,因而这种吃喝场面大都使人看过即忘,长长的胶卷,丰盛的菜肴,除了给观众饱饱眼福及引起一点食欲外,再也体味不出什么,相比之下,陆文婷那一杯清水,两个烧饼的独特的 Now, many movies have eaten into the wind, simply with “addiction.” Young people together, or the river lawn, or under the mountain tree, bread, canned, orange water, but also play and sing, the United States and the United States to feed; elderly encounter, then invited home, his wife fried a few dishes, poured On the small glass of wine talked about for a while; do not pull the relationship between the business to do more restaurant restaurants, delicious, and even family disputes, unfortunate accidental, it seems similar to occur in the half to eat and drink. So staggered repeat the same language and story. Of course, not the movie can not eat and drink the lens, the question is the lens of the rendering of the atmosphere, reveals the inner heart of the character, the story of the inherent link? Unfortunately, many of these shots did not pay attention to its content, lack of their own unique discovery , So this scene of eating and drinking most people forget it, long film, hearty dishes, in addition to giving the audience full view and cause a little appetite, no longer appreciate what, in contrast, Lu Wenting that cup Fresh water, two biscuits unique