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女性形象在历代文学作品中都是一个典型的取材对象,而汉魏六朝赋作为中国古代文学的集大成者,在题材选择方面自然包括对于女性形象的描绘及分析。女子形象并非一成不变,也正如女性地位的演变一般,汉赋中对于女子形象的分析,可谓是百花齐放百家争鸣。在这些形象的背后,我们更应该思考的,是这些形象带来的文学意义和现实意义。
The image of females is a typical material in ancient literary works, while the Han, Wei and the Six Dynasties and North Korea as a master of Chinese ancient literature, in the selection of themes naturally includes the description and analysis of the female image. The image of a woman is not immutable. Just as the evolution of the status of a woman is generally speaking, the analysis of the image of a woman in Han Fu can be described as a blossoming of hundreds of flowers. Behind these images, what we should think about is the literary meaning and the practical significance brought by these images.