本文以20世纪70年代末到八十年代初为限,以目前能够收集到的的相关理论研究著作和同时期国内主要期刊作为参考,试图对70年代末到八十年代初的西方现代和声理论中重要的十二音和声理论在中国的发展情况进行阐述,并做出简单的述评。 This article, limited in the late 1970s to the early 1980s, takes the related theoretical research works collected at present and the major domestic journals of the same period as a reference, tries to analyze the harmony of Western modernism from the late 1970s to the early 1980s, Theory of important twelve tone harmony theory in China’s development and elaborate, and make a simple comment.