英国当代女作家拜厄特的长篇小说《占有》(1990)一经出版,就引起了极大的轰动,并获得了当年英国文学最高奖——布克奖。近年来,对《占有》一书的研究已经涉及到其主题、情节、叙事技巧、语言特色等诸多方面,但对作品的互文性研究还较为鲜见。本文从小说对格林童话《玻璃棺》的戏仿为切入点,探讨拜厄特是如何运用戏仿这一互文性的主要 Once published by Bytlet’s novel The Possession (1990), the contemporary British woman writer Byatt caused great sensation and won the Booker Prize, the highest award of British literature of that year. In recent years, the study of Possession has touched upon many aspects such as its theme, plot, narrative skills, language features, etc. However, the study of intertextuality of works is relatively rare. This essay starts from the parody of Green’s fairy tale “Glass Coffin” in the novel to explore how Byatt’s use of imitation is the main part of intertextuality